BIOGRAPHY
"Ms. Poon displayed lyricism and virtuosity... her playing was lyrical and emotionally nuanced, from forceful or even desperate to dreamy, joyful or passionate, with tone ranging from percussive to bell- or even bird-like."
- Woodstock Times
"fresh, adventurous, and beguiling... beautifully crafted and extremely sensitive."
- Fanfare
Young Steinway Artist Kiu Tung Poon appeared as recitalist and collaborative pianist on concert stages in the US, UK, France, Germany, Portugal, Vienna, Singapore, Malaysia, Hong Kong, Macau, and Mainland China. International music festival appearances include Tanglewood and Aspen in the US, Konzerthaus in Austria, St. Martin-in-the-Fields in London, Great Wall in Beijing, and Le French May in Hong Kong. As an advocate of new music, she was privileged to work with today’s foremost American and Chinese composers and has given numerous lecture-recitals and performances in the US, Asia, and Europe on Chinese-Western syncretism. Her rendition on Chinese and American contemporary compositions as well as Ravel's piano works was described as "lyrical and emotionally nuanced... displayed lyricism and virtuosity" (Woodstock Times). Her playing with violinist Patrick Yim on their latest Naxos release on American living composers was noted as "lively and authoritative" (American Record Guide), "effective presence (Strad), "fresh, adventurous, and beguiling", and "beautifully crafted and extremely sensitive" (Fanfare). Her world première of Mark Morris/Samuel Barber’s Excursions with Mark Morris Dance Group in the Tanglewood Music Festival received enthusiastic review by critics writing for The New York Times and Boston Phoenix.
Graduated from the Indiana University Bloomington and the University of Texas at Austin with a DMA in Piano Performance, her principal mentors were Cheng Wai, Jean-Louis Haguenauer, Gabriel Kwok, and Anton Nel. She also worked with Michel Béroff, Claude Frank, Jean-François Heisser, John O’Conor, Garrick Ohlsson, John Perry, and Manahem Pressler during summers. She currently teaches at her alma mater The Chinese University of Hong Kong as a lecturer in performance and serves as the performance stream coordinator in the Department of Music.